Each style includes small caps, fractions, old style, lining and tabular numbers, scientific superior/inferior figures, alternates, and a set of typographic arrows. The OpenType Pro fonts have an extended character set to support Central and Eastern European as well as all Western European languages. FF Basic Gothic comes equipped for complex, professional typography. The heavy weights have higher contrast and unfold their strength at larger sizes, notably in newspaper and magazine headlines. The family performs well at small sizes, both in print and on screen-thanks in no small part to the hinting specialists of the FontFont Type Department. Practitioners of corporate design like the family’s extended weight range, too. With beautiful floral uppercase designs, Uechi can give you that capital letter display font feel, and keep easy to read lowercase typeface in the process. At the same time, the letters were reduced to their most basic forms, with precise curves and straight lines, making FF Basic Gothic extremely versatile for a multitude of applications. Uechi is a more traditional gothic font, taking inspiration from the biblical character designs that first made gothic as iconic as it is. Dietzel searched for an exceptional yet legible set of proportions to serve as the basis for the design. Inspired especially by the unique letter forms of Gill Sans and Antique Olive, designers Hannes von Döhren and Livius F. With its functional, basic look, it is unapologetic but pleasant at the same time. Influenced by the early sanses of the 19th century and developed for today’s print standards, FF Basic Gothic is a sans serif optimized for maximum legibility. FF Basic Gothic is a response to Verdana in print, where its forms leave generous room for improvement. Proportional- or half-width Latin and half-width katakana characters are rotated 90 degrees clockwise for vertical writing.Matthew Carter’s Verdana was made for screen reading and works brilliantly within that medium. In order for kerning to produce identical results as well, developers must ensure that the Vertical Kerning (vkrn) feature record kern values between the rotated glyphs that are the same as kern values between their corresponding upright glyphs in the Kerning (kern) feature. The vendor may however set it to head.unitsPerEm, to prevent overlap during font proofing tests, for example.) Thus, proportional-width glyphs with rotated forms in the vrt2 feature will appear identically spaced in both vertical and horizontal writing. (The horizontal advance of the rotated glyph may be set to any value, since the glyph is intended only for vertical writing use. A rotated glyph must be designed such that its top side bearing and vertical advance as recorded in the Vertical Metrics ('vmtx') table are identical to the left side bearing and horizontal advance, respectively, of the corresponding upright glyph as recorded in the Horizontal Metrics ('hmtx') table. The predecessor feature, vert, is ignored. ATM/NT 4.1 and the Windows 2000 OTF driver impose the following requirements for an OpenType font with CFF outlines to be used for vertical writing: the vrt2 feature must be present in the GSUB table, it must comprises a single lookup of LookupType 1 and LookupFlag 0, and the lookup must have a single subtable. Note that these are a superset of the glyphs covered in the vert table. This is very convenient and beneficial for those who wish to write using a gothic, medieval font considering. All that you have to do is type in a text through your keyboard and a different, spookier, and darker version of it will appear right underneath or next to it.
Function: Replaces some fixed-width (half-, third- or quarter-width) or proportional-width glyphs (mostly Latin or katakana) with forms suitable for vertical writing (that is, rotated 90 degrees clockwise). The gothic text and font generator is a fun and extremely user-friendly tool.
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